Harmonization of traditional Hindu-Buddhist and Islamic ornaments at the Great Mosque of Demak, Indonesia

Main Article Content

Supatmo Supatmo
Muhammad Jazuli
Syakir
Muhammad Ibnan Syarif

Abstract

The Great Mosque of Demak, located in Central Java Province, is a historical milestone legacy of the early spread of Islam in Indonesia (15th century). In addition to being a place of worship, the Great Mosque of Demak is also the center of religious activities for Muslims today. The Great Mosque of Demak has unique ornamental elements. This study aims to find a systematic explanation of the harmonization of the diversity of traditional Hindu-Buddhist and Islamic ornaments at the Great Mosque of Demak. Data was collected using observation, interview, and document tracing methods. The study used a qualitative approach with the iconographic analysis method (pre-iconographical description, iconographical analysis, and iconological interpretation). The results of the study show that the ornamental elements of the Great Mosque of Demak are a combination of Hindu-Buddhist traditional ornaments and Islamic traditional ornaments. Diversity elements of traditional Hindu-Buddhist and Islamic ornaments are harmonized with wisdom so that their values ​​and meanings do not conflict. This wisdom occurs because of the historical background, the process of spreading Islam culturally, and the tolerant attitude of its supporting community.

Downloads

Download data is not yet available.

Article Details

How to Cite
Supatmo, S., Jazuli, M., Syakir, & Syarif, M. I. (2025). Harmonization of traditional Hindu-Buddhist and Islamic ornaments at the Great Mosque of Demak, Indonesia. Research Journal in Advanced Humanities, 6(3). https://doi.org/10.58256/4dvafd90
Section
Literature, Linguistics & Criticism
Author Biographies

Supatmo Supatmo, Universitas Negeri Semarang

Supatmo Supatmo has been a lecturer in the Fine Arts Department, Faculty of Languages ​​and Arts, Universitas Negeri Semarang, since 1999. He teaches the Nusantara Ornaments course, which discusses the diversity of traditional Nusantara ornaments. He completed his Master's in the Performing Arts and Fine Arts Study Program at Gadjah Mada University, Yogyakarta 2005. He actively conducts research and publications, especially in traditional fine arts and fine arts education. He is pursuing a Doctoral Program in Art Education at the Faculty of Languages ​​and Arts, Universitas Negeri Semarang, Indonesia.

Muhammad Jazuli, Universitas Negeri Semarang

Muhammad Jazuli has been a lecturer since 1994 in the Drama, Dance, and Music Arts Education Study Program at the Faculty of Languages ​​and Arts, Universitas Negeri Semarang. He completed his Master's degree in the Performing Arts Studies Study Program at Gadjah Mada University Yogyakarta, graduated with a Doctoral Education in Sociology of Arts at Airlangga University Surabaya in 2000, and achieved the position of Professor in 2004. His research and publications cover the fields of art education, performing arts, sociology of dance, and aesthetics.

Syakir, Universitas Negeri Semarang

Syakir has been a lecturer since 1993 in the Fine Arts Department, Faculty of Languages ​​and Arts, Universitas Negeri Semarang, Indonesia, in 1993. Master's Education in the Fine Arts and Design Study Program, Bandung Institute of Technology graduated in 1999, and Doctoral Program in the Art Education Doctoral Study Program, Faculty of Languages ​​and Arts, Universitas Negeri Semarang graduated in 2017. In addition to teaching and guiding students, he actively conducts research and publishes scientific works, especially in fine arts and batik art education.

Muhammad Ibnan Syarif, Universitas Negeri Semarang

Muhammad Ibnan Syarif has been a lecturer in the Fine Arts Department, Faculty of Languages ​​and Arts, Universitas Negeri Semarang, since 1992. He graduated with a Master's Education in the Fine Arts Study Program at Bandung Institute of Technology in 1999. He continued his doctoral program in the Performing Arts and Fine Arts Study Program at Gadjah Mada University Yogyakarta until graduating in 2015. In addition to actively teaching and guiding students, he is actively conducting research and publishing scientific works, especially in craft and aesthetic arts.

How to Cite

Supatmo, S., Jazuli, M., Syakir, & Syarif, M. I. (2025). Harmonization of traditional Hindu-Buddhist and Islamic ornaments at the Great Mosque of Demak, Indonesia. Research Journal in Advanced Humanities, 6(3). https://doi.org/10.58256/4dvafd90

Share

References

Adisukma, W. (2019). Makna Simbol Surya Majapahit. http://repository.isi-ska.ac.id/id/eprint/4110

Al-Faruqi, Ismai’l R, & Al-Faruqi, L. L. (1999). Seni Tauhid. Bentang.

Al-Faruqi, Ismail R., & Al-Faruqi, L. L. (1986). The Cultural Atlas of Islam. American Journal of Islam and Society, 3(1), 169–170. https://doi.org/10.35632/ajis.v3i1.2768

Alashari, D. (2021). Islamic Art: An Analytical Study of Ismail Al-Faruqi’s Views. Journal of Contemporary Issues in Business and Government, 27(3), 2021. https://doi.org/10.47750/cibg.2021.27.03.354

Ambary, H. M. (1998). Menemukan Peradaban Jejak Arkheologis & Historis Islam Indonesia. Logos Wacana Ilmu.

Azab, K. (2018). The Architect in Islamic Civilization. Economy and Architecture, 3, 162–173. https://doi.org/10.4324/9781315714660-17

Budi, B. S. (2004). A Study on the History and Development of the Javanese Mosque Part 1: A Review of Theories on the Origin of the Javanese Mosque. Journal of Asian Architecture and Building Engineering, 3(1), 189–195. https://doi.org/10.3130/jaabe.3.189

Davison, J. (2003). Introduction to Balinese Architecture. Periplus.

Drainville, R. (2018). Iconography for the Age of Social Media. Humanities, 7(1), 12.

https://doi.org/10.3390/h7010012

Fatemeh, A., Iraj, E., & Islami, S. G. (2017). The Distinction of Ornament and Decoration in Architecture. Journal of Arts & Humanities, 08(08), 17–39. https://doi.org/http://dx.doi.org/10.18533/journal.v6i5.1188

Florida, N. K. (1995). “The Demak Mosque: A Construction of Authority”: Babad Jaka Tingkir. In Writing the Past, Inscribing the Future: History as Prophecy in Colonial Java. Duke University Press. https://doi.org/https://doi.org/10.1215/9780822378662

Grabar, O. (2019). Islamic Ornament and The Spiritual in Art. Bolligen Series XXXV.38. https://jewishphilosophyplace.com/2019/02/13/islamic-ornament-the-spiritual-in-art-oleg-grabar/

Halim, A. (2017). The Meaning of Ornaments in the Hindu and Buddhist Temples on the Island of Java (Ancient - Middle - Late Classical Eras). Riset Arsitektur (RISA), 1(02), 170–191. https://doi.org/10.26593/risa.v1i02.2391.170-191

Kamal, M. A., Gulzar, S., & Farooq, S. (2020). Exploration of Arabesque as an Element of Decoration in Islamic Heritage Buildings : The Case of Indian and Persian Architecture. Journal of Xi’an University of Architecture & Technology, XII(X), 843–852. https://www.researchgate.net/publication/345662709%0AExploration

Kempers, B. A. J. (1976). Ageless Borobudur: Buddhist Mystery in Stone, Decay and Restoration, Mendut and Pawon, Folklife in Ancient Java. Wassenaar: Servire.

Lee-niinioja, H. S. (2018). Javanese Mosque Mihrabs & Syncretic Islamic Ornament. Novel & Noble Communication. https://heesooklee-niinioja.weebly.com/uploads/3/0/8/7/30872553/javanese_mosque_mihrabs_and_syncretic_islamic_ornament.pdf

Munandar, A. A. (2020). Majapahit and the Contemporary Kingdoms: Interactions and Views. Berkala Arkeologi, 40(1), 1–22. https://doi.org/10.30883/jba.v40i1.522

Pigeaud, H. J. de G. and T. G. T. (1985). Kerajaan-kerajaan Islam di Jawa, Peralihan dari Majapahit ke Mataram (2021st ed.). Grafiti Pers.

Rahayu, S. E. (2020). Islam Sempurna dalam Konsep Syariat, Tarekat, dan Hakikat. Jurnal Emanasi, Jurnal Ilmu Keislaman Dan Sosial, 3(1), 1–8. https://adpiks.or.id/ojs/index.php/emanasi/article/view/23

Restian, A., Jazuli, M., Cahyono, A., & Yanuartuti, S. (2024). Bedhayan Gagrag Sumirat Puspito dance: The innovation in conveying Islamic da’wah through arts. Research Journal in Advanced Humanities, 5(4), 780–794. https://doi.org/10.58256/6v2xx519

Rosa, S., & Fatma, S. D. (2020). Memahami Tanda-Tanda Kehancuran Kerajaan Majapahit dalam Novel Sabda Palon Pudarnya Surya Majapahit: Tragedi Cinta Selir Cina. Atavisme, 23(1), 44–61. https://doi.org/http://doi.org/10.24257/atavisme.v23i1.590.44-61

Sunaryo, A. (2022). Ornamen Nusantara Aneka Motif Hias di Indonesia (terbaru). Dahara Prize.

Sunyoto, A. (2017). Atlas Wali Songo. Pustaka IlMahi dan Lesbumi PBNU.

Taylor, P. (2020). Iconology and Iconography. Oxfordbibliographies. https://doi.org/10.1093/OBO/9780195399301-0161

Team, D. R. T. O. (2023). Hasta Brata Surya Majapahit. July 25, 2023. https://pariwisata.demakkab.go.id/?p=19962

Tjandrasasmita, U., & Lee-niinioja, H. S. (2018). Islamic Monument of Sendang Duwur Reflection of Cultural Tolerance Communication of Cultural Heritage. Novel & Nobel Communication. https://heesooklee-niinioja.weebly.com/uploads/3/0/8/7/30872553/islamic_monument_of_sendang_duwur.pdf

Wilson, M. K. (2021). Symbols, Signs, and Culture. 59(10), 1–15. https://www.academia.edu/45591469/SYMBOLS_SIGNS_AND_CULTURE

Woodward, M. R. (1999). Islam Jawa: Kesalehan Normatif Versus Kebatinan, alih bahasa Hairus Salim. LKiS.