Blending music and drugs: The depiction of substances and substance use in Kamba Benga music since 2000
Main Article Content
Abstract
Studies have underscored the power of music to influence people’s attitudes, behaviors, and perceptions. Certain genres of music convey cultural norms regarding substance use and drinking behavior. Nevertheless, some types of music appear to glorify substance use. This paper interrogated the depiction of substances and substance use in selected Benga music videos released by Kamba musicians. We argue that most Kamba Benga music videos contain explicit references to substances of one kind or another. We contend that enhancement motivations, usually related to heightened levels of substance use, appear more in the selected Benga music videos. We maintain that the majority of the videos analyzed associate substance use with positive qualities such as increased sexual pleasure and high social status. We further ascertain that a significant number of videos do not attempt to connect substance use to any form of consequences. Since, according to Gerbner’s Cultivation Theory, messages from television or videos influence people who watch them frequently, we conclude that Benga music videos produced by leading Kamba musicians expose viewers considerably to substance use, and therefore shape their opinions about it.
Downloads
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
This open-access article is distributed under a Creative Commons Attribution (CC-BY-NC-SA) license.
You are free to: Share — copy and redistribute the material in any medium or format.
Adapt — remix, transform, and build upon the material for any purpose, even commercially. The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
No additional restrictions You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
How to Cite
References
Alen, G., Anderson-Luxford, D., Kuntsche E., He Z., & Riordan, B. The prevalence of alcohol references in music and their effect on people’s drinking behavior: A systematic review and meta-analysis. https://doi.org/10.1111/acer.15262. First published 17 February 2024.
Blocker, J., Fahey, D., & Tyrrell, I. (2003). Alcohol and temperance in modern history: An international encyclopedia. Michigan: ABC-CLIO.
Born, G. (2022). Music and digital media: A planetary anthropology. London: University College London Press.
Bradizza, C., Reifman, A. & Barnes, G. (1999). Social and coping reasons for drinking: Predicting alcohol misuse in adolescents. Journal of studies in alcohol, 60, 491- 499.
Britan, H. (2004). Music and morality. International Journal of Ethics, Oct. 2004, Vol. 15, No. 1, pp. 48-63.
Cressey, D. R. (2012). Delinquency, crime and differential association. The Hague: Springer Netherlands.
Durant, R., Rome, E., Rich, M., Alldred, E., Emans, S. & Woods, E. (1997). Tobacco and alcohol use behaviors portrayed in music videos: a content analysis. American Journal of Public Health, 87, 1131–1135.
Federmeier, K. D. (2023). New directions in addiction science. New York: Elsevier Science.
Graham, R. (1992). The world of African music: Stern’s guide to contemporary African Music. London: Pluto Press.
Hudak, J. (2020). Marijuana: A short history. Washington DC: Rowman & Littlefield Publishers.
Kuntsche, E. & Kuntsche, S. (2009). Development and validation of the drinking motive questionnaire revised short form (DMO-RSF). Journal of clinical child and adolescent psychology, 38 (6), 899-908.
Kuntsche, E., Knibble, R., Gmel, G. & Engels, R. (2006). Who drinks and why? A review of socio-demographic, personality, and contextual issues behind the drinking motives in young people. Psychology of addictive behaviors 31, 1844-1857.
Marcovitz, H. (2012). The history of music videos. New York: Gale Cengage Learning.
Mboya, T. (2019). Popular music, ethnicity and politics in Kenya of the 1990s: Okatch Biggy live at the junction. Cambridge: Cambridge Scholars’ Publishers.
Ndetei, D. (2001). Drug abuse in Kenya: Information, needs, resources and analysis. Nairobi: INRA Project for Kenya.
Nutt, D., King, L., Saulsbury, W. and Blakemore, W. (2007). Development of a rational scale to assess the harm of drugs of potential misuse. The Lancet, 369, 1047-53.
Primack, B., Dalton, M., Carroll M., Agarwai, A. & Fine, M. (2008). Content analysis of tobacco, alcohol and other drugs in popular music. Archives of pediatric and adolescent medicine, 162 (2), 169-175.
Reihman, A., Holguin F. & Sharma, S. (2012). Acute and chronic lung disease from recreational inhalants. In Khatri, S. & Pennington E. (Eds). Lung health and the exposure: how environmental factors influence lung health. Cham: Springer Nature.
Rehm, J. (2001). Concepts, dimensions and measures of alcohol-related social consequences. A basic framework for alcohol-related benefits and harm. In Klingermann, H. and Gmel, G. (Eds). Mapping the social consequences of alcohol consumption. Dordrecht, Netherlands: Kluwer Academic Publishers, pp. 11-19.
Roberts, D., Henriksen, L., & Christenson, P. (1999). Substance use in popular music videos. Washington, DC: Office of National Drug Control Policy.
Shanahan, J. & Morgan, M. (1999). Television and its viewers: cultivation theory and research. Cambridge: Cambridge University Press.
Shepherd, J., Horn, D., Laing, D. (Eds) (2005). Continuum encyclopedia of popular music of the world. New York: Continuum.
Simons, J., Correia, C., Carey, K. & Borsari, B. (1998). Validating a five-factor marijuana motives measure: relations with use, problems and alcohol motives. Journal of Counselling Psychology, 45, 265-273.
The Alcoholic Drinks Control Act, No. 4 of 2010. Nairobi: Government Press.
Tobacco Control Act, 2007. Nairobi: Government Press.